Catalogue published alongside Philippe Parreno’s exhibition at the Serpentine Gallery (London), edited by Julia Peyton‑Jones and Hans‑Ulrich Obrist. The 200‑page hardcover chronicles Parreno’s extensive film work—such as The Boy from Mars, Invisibleboy and June 8, 1968—with texts, stills, and critical analysis that explore his cinematic and conceptual practice.
